UPCYCLING

Nielaba is also a precursor of a trend known today as upcycling. He started it in the late 1980s, although the term was not coined until the late 1990s. Within this field, he has laid down his own rules. By creating his oil paintings on old and worn out utilitarian objects, he transforms them into artworks while retaining their original function. In this process he also draws on his invention of applying the resin lacquer coating onto the morphology of the painting.

 

The first public exhibition of Nielaba’s objects took place in Switzerland in 1990. He presented decrepit furniture that nobody was willing to use anymore turned into functional art objects, returned to life and endowed with a new artistic soul. On some of them, he painted copies of works by famous artists, such as Alexej von Jawlensky’s Young Girl with Peonies. The exhibition was very popular and inspired Nielaba to use his invention in other fields too.

Swiss newspaper "Der Bund", May 1990


ART FORM CYCLE

Nielaba’s current artistic work within the ART FORM cycle is the continuation of the process that he began over 25 years ago. He is again creating his unique oil paintings enclosed under the resin lacquer coating, both on various old utilitarian objects and his newly-created forms. What is novel, however, is Nielaba’s view and perception of the object and of the process itself, which reflects all his artistic experiences attained in the past decades. This projection is fully coherent with his deep philosophy of art and the way it ought to be exposed.

 

A crucial aspect of Nielaba’s art is the opportunity of experiencing his works on multiple levels, allowing the recipient to touch and interact with them, in accordance with the definition of a functional object. While exhibitions are based on a short-lasting and transient relationship of the artwork and the audience, the objects made in the ART FORM cycle are intended to become permanent elements of public and private spaces, where they will serve artistic as well as functional purposes. 

 

The entire process of making the artworks is done by hand and lasts many weeks. Each object is a unique piece signed by Nielaba. It may function as an independent element creating the ambience of an interior that will take hold of the viewers senses or, when coupled with other elements, become part of a live painting or construction that will endow any space with a distinct character.

Swiss newspaper "Berner Tagwacht", May 1990



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